Jeffrey Cufaude is an architect of ideas ...
custom-designing keynotes, workshops, and leadership conferences that promote innovation, learning, and community.
He also teaches presentation design and facilitation to subject matter experts. Frequent keynoter, workshop facilitator, strategy consultant. Writer. TEDx speaker.
Wednesday, September 05, 2012
You Have to Cultivate Connections
It’s always a bit awkward when you think you are on a first date and the other party has the two of you walking down the aisle. How such different perceptions of a relationship’s status comes about is beyond me, but it seems to happen all the time between myself and the arts groups whose shows I attend.
As someone who values the arts, I always try and catch a performance wherever my business travels take me. I buy my ticket, enjoy the play or concert, and call it a day. For me, it is essentially a one-night stand.
But the groups whose performances I attend take my casual flirtation as an expression of long-term interest. Soon after my likely one and only time to physically be counted among their audience’s ranks, I begin to receive the most personal of love letters. They speak in intimate terms of the deep affection I must have for them. Of course, they don’t want a diamond ring, but they would be just smitten if I’d reward their aggressive pursuit with a charge card contribution to their annual fund.
I’m not even in lust and they are talking to me like we are in love. And just like on a real date between two people, pimping this pretend passion so soon and so blatantly is a real turnoff, particularly because I know it’s not the first time they've used these lines, nor am I the only prospect that's being courted this way.
We live in a time when customer or member acquisition and cultivation demands more finesse and customization. The one-to-many approach was long ago discarded my most corporations, but apparently our cash-strapped performing arts groups haven’t quite gotten the message. Just because I bought a single ticket doesn’t necessarily mean I want to enter into a mating ritual for life.
And the irony of it all? I do make annual fund contributions to several groups in cities other than Indianapolis. But these are groups whose performances I attend at least on an annual basis. This at least a "second date status” makes it a bit more palatable when they ask for money because my multiple expressions of interest can reasonably be construed as enough of a green light that I am worth soliciting.
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